High notes can be difficult for novice vocalists, and more so for those who did not sing in the choir during their childhood. You can learn to sing them correctly at any age. Education will go faster if the vocalist already had experience in singing during school years. For many reasons, many performers are afraid to take high notes, but in fact, with the help of special exercises you can learn to correctly and beautifully take them. A few simple exercises will help you learn to sing high in the upper part of your range without additional sound amplifiers and reverb. But first you need to figure out what prevents you from singing easily and beautifully and staying on top in a complex head tessitura. WHY HIGH NOTES ARE DIFFICULT TO SING EVEN SOPRANO There can be many reasons for singing difficulties in high parts of the range. Continue reading
The voice is also of no small importance in life, as is the appearance of a person. According to statistics, it is with the human voice that most of the information is transmitted during any communication. That is why it is very important to have a beautiful, velvet voice that will contribute to success in all your affairs. If you naturally have a voice that doesn’t quite suit you, do not despair. After all, it, like everything else, can be improved.
You just need to familiarize yourself with the basic rules of how to train your own voice and then you will succeed. As an advertisement. Learn how to improve your voice and learn to sing beautifully, with the help of professionals on the site: https://solonext.ru/uroki-vokala TIPS, RECOMMENDATIONS AND EXERCISES You can do a simple experiment, right at home, in order to determine which voice you have and identify its strengths and weaknesses. Continue reading
Performers, especially beginners, often do not know how to overcome the excitement before the performance. All artists differ in character, temperament, level of motivation and volitional qualities. These personality traits, of course, only partially affect the ability to adapt to public speaking. After all, a successful appearance on the stage of everyone still depends, first of all, on readiness and desire to play, and also on the strength of stage skills (in other words, experience). Each artist needs to learn how to prepare himself for a performance, to learn how to easily enter the optimal concert state – a state in which fear and excitement do not spoil the performance. In this he will be helped by both long-term, permanent measures (for example, sports training), and specific local measures that are resorted to immediately before entering the stage (for example, a special concert day mode). Continue reading